A digitizing film with your DSLR CAMERA mirrorless. You needn’t bother with a devoted scanner to digitize film in light of the fact that a mirrorless or DSLR camera will finish the work and then some when done well. Tim Coleman strolls us through prescribed procedures to photo film utilizing your DSLR or mirrorless camera.

Back up and genuine serenity. Another rent of existence with altering, internet sharing, and advanced printing. Indeed, digitizing film is a vital practice today for simple shooters. Tragically, as advanced is the backbone of photography in 2022, apparatuses for simple photographic artists to chronicle film have lessened.

Nikon has stopped creating its phenomenal devoted film scanners, and choices from any semblance of Plustek don’t come modest either, while those that truly do like the clever Kodak Small scale Advanced Film and Slide Scanners can miss the mark on goal for great sweeps.

Have no trepidation. With the right arrangement and strategies, a mirrorless or DSLR camera can finish the work of a great scanner and guarantee you get the best-computerized forms of your film stock. Indeed, even a cell phone can get the job done, as a matter of fact. In this article, we’ll walk you through how to completely finish a DSLR camera.

What do you want to photo film?

Lights, covers, DSLR cameras, and focal points are your fundamental contemplations for shooting film.

Light source

You’ll have to put a reasonable and splendid light source – in a perfect world sunlight adjusted – behind the film to get its best quality image utilizing a DSLR camera. Undoubtedly the least expensive and most straightforward choice is a lightbox. Organizations like Kaiser Fototechnik work in light boxes with a different reach for all sizes and financial plans. For this reason, one of its littlest and least expensive light boxes is adequate. Lomography raises the stakes by offering a reason-constructed film veil with an underlying lightbox bed.

In the event that you don’t claim a light box yet and end up having a compact studio light with ceaseless results – even numerous studio streaks do – then that will work all things considered. Truth be told, streak fills in as well as nonstop light accomplishes this picked task. 

You’ll have to approach suspending a firm and level diffused surface among light and a DSLR camera on which to put the film. Consider a white perspex sheet, it will stay away from undesirable areas of interest and reflections. This arrangement might be more faff than it’s worth, however, in the event that you like a Do-It-Yourself challenge, this choice could be for you!


With the light source and surface set up, you really want a solid opening inside which to put the film totally level and to cover it to stay away from a light spill that can cause a flare. The previously mentioned Lomography’s DigitaLIZA pack is a straightforward answer for 35mm and 120 film.

On the off chance that you’re on a genuine shoelace, why not make your own veil? Mount board is a protected material to remove a veil for any film size; 35mm, 120, and 5×4 enormous configuration. It’s more fiddly than a reason fabricated cover to get the film (we’ll get onto that), yet again a decent choice for Do-It-Yourself devotees, and all film-size veils can be cut inside a similar huge organization gap!

There are elective reasons-made choices like the Nikon PB-6 cries to embed movie rolls, in addition to a slide copier like the Nikon ES-2 or from SRB Visual that joins straightforwardly onto our DSLR camera focal point to photo slides. Slide copier howl choices actually require clear sight of serious areas of strength for a source.

Camera and focal point decision

The principal thought for both the camera and the focal point is the goal. The more pixels, the bigger the ‘output’ and development possibilities you have. A full-outline mirrorless or DSLR camera is probably going to have a greater number of pixels to play with than crop sensor designs like APS-C and Miniature Four Thirds, yet in different respects, sensor size is immaterial on the grounds that the film ought to be enlightened by areas of strength for a which will wipe out the unfavorable effect of commotion in your photos.

To capitalize on your camera and its goal, you’ll need a focal point that can concentrate close sufficiently to fill the whole casing with film. For full casing, you’ll probably require a large-scale focal point, while a standard focal point could well concentrate close enough with a harvest sensor DSLR camera like Miniature Four Thirds. 

A great focal point with a standard central length somewhere in the range of 50mm and 105mm will expand sharpness and limit contortion, and maintain the functioning separation and arrangement sensible. A cell phone can get the job done as well, however, the essential camera point of view is wide and may present barrel twisting.

The most effective method to photo and digitize film

Setting up your camera and workstation, in addition to setting up the actual film.

Camera and workstation set up

Albeit numerous cutting-edge cameras highlight picture adjustment, you ought to mount the camera to help for shooting film, for example, a stand, to secure your camera for working rapidly and precisely through what is possibly many film rolls.

It is fundamental to position the camera square-on to the film to stay away from any mutilation that outcomes from taking shots at a point. An air pocket level will do, however, a slick stunt is to involve a mirror on a similar surface as the film and guarantee the focal point is the focus outline in your shot – this records for the degree of both surface and DSLR camera at the same time. On the off chance that a stand is your help deciding, it needs a middle segment that broadens on a level plane away from the legs so you can point the camera straight down and square on, without the legs disrupting the general flow.

What camera settings do I have to photo film?

We’ll hold camera settings to the essentials; utilize the most elevated conceivable picture quality and crude configuration in the event that openness is off in any capacity. Openness is somewhat interesting in light of the fact that you believe the foundation of the film should seem white, which can mean over-uncovering marginally. To boost altering adaptability, it’s wise to shoot a level variety profile and control sharpness in-camera.

The most fiddly is white equilibrium, on the grounds that the temperature is impacted by both your light source and the varied cast of the film base. Auto white equilibrium will probably demonstrate problems in such a situation. To kill those two birds with one stone – make and save a manual white equilibrium perusing a clear openness of the picked film against the light source. 

Assuming you’ve shot in crude, further white equilibrium changes are a lot more straightforward in your picked-altering programming where you can utilize the white equilibrium picker device from any clear region of the film to set white equilibrium all things considered.

Getting the film

We have referenced making a veil to get the film and take out light spills. Without a doubt, an instant film holder is the speediest choice and ought to come modest. On the other hand, cut out a 5×4 gap in the dark mount board (for huge configuration), then, at that point, inside that cut-out a 6x7cm opening (for medium organization), of course, a 36x24mm gap for full-outline. That way you have all the significant film sizes covered.

Getting an edge on the underside of the mount board for each slice out makes it more straightforward to slide between outlines inside the film roll, and use covering tape to fix it down. Then again, and particularly assuming that the film roll is bent, you can non-disastrously straighten it set up with attractive or pressure plates.

Planning film

Dust, unique finger impression stamps, and smears are the enemy of the good film examination, particularly when you consider that any flaws are amplified with any broadening. In this way, before you press the DSLR camera shade, ensure your workplace is as spotless and dust free as could really be expected and that you try not to deal with film with uncovered hands – search for build-up-free cotton gloves.

Next, get a nearby look at the film utilizing a loupe or amplifying glass since flaws can be difficult to detect with the unaided eye. Eliminate any residue by utilizing a blower. Follow every one of these fundamental planning ventures for any film examination, and your time altering will be happily taken with your imaginative decisions as opposed to meticulous cloning and mending.

Document the executives

You could well photo hundreds in the event that not a large number of edges, thus before you get breaking think about the accompanying:

Be specific

As you manage each roll of film, be particular about which outlines you will photo. In the event that you are probably not going to alter, print, or offer a casing, what is the point of digitizing it? Consider this second a pre-alter; a library of the board and a picture rating process like in Adobe DSLR Camera Crude.

Naming documents

Like any arrangement of advanced pictures, consider how you will name the computerized photos of your film with the goal that they can be seen as effectively sometime later. Date or subject is the clearest decision, however, you may likewise wish to catchphrase the documents, as well, including data, for example, the DSLR camera utilized.

Keep in mind, the metadata that accompanies your digitized film documents; date, area, camera, focal point, and openness settings, will all connect the second you snapped a picture of the film, not of the first image itself. Recollecting when film pictures were from takes serious intellectual ability!

Your document naming decisions at the absolute starting point of this chronicling excursion will substantially how your library finishes up. Ask yourself, might you at any point explore those photographs once your library contains many organizers?


Film negatives stay negative when captured and should be transformed utilizing altering programming. CMD+I/CTRL+I is the alternate route in Adobe Camera Crude/Photoshop, while any product with tone bends can finish this job by switching the Point bend. Slides are now certain and thusly needn’t bother with a similar treatment.

Attempt as you may, actually it’s infuriatingly hard to eliminate all imperfections from the film (and you’re abhorring the Advanced ICE highlight in committed scanners that finishes this work for you). As you process those chronicled records, the recuperating or clone device will turn into your dearest companion. 

A mending device is maybe best to manage flaws where there isn’t a lot of detail happening in the photograph, while the clone device can deal with the recuperation of unpredictable detail better. Any remaining alters are down to imaginative inclinations. Blissful ‘checking’!

7 Top ways to digitize film with your camera

A light box with a film cover is your most financially savvy choice for digitizing film with your DSLR or mirrorless camera.

Position the DSLR camera square-on with a nearby centering focal point to limit bending and boost the goal.

Make and save an in-camera custom white equilibrium perusing taken from the light source and film base.

Wear gloves while dealing with film and utilize a blower to keep the film as perfect and residue-free as could really be expected!

Try not to photo each edge – consider the shooting film process as a pre-alter.

Give thought and discipline to record naming and keywording particularly while overseeing huge amounts of film.

Film negatives should be upset, and the alternate route in Adobe programming remains Cmd+I, or rather in Bends turn around the ‘Point Bend.